Music Supervision by Chris Mollere — Fusion Music Supervision

01

Creative Song Selection & Vision

Fusion Music Supervision offers comprehensive music supervision services for film, television, advertising, and trailers — and it all begins with creative vision. As an experienced film and TV music supervisor available for hire, Chris develops the sonic identity of your project from the ground up, finding music that doesn't just fit a scene, but defines it. From project-tailored music searches and precisely curated needle drop selection, to temp score creation, music spotting sessions, music placement strategy, and collaborating with the composer to make a cohesive musical identity. Creative consultation with directors, showrunners, and producers from development through delivery. Our one true objective is to turn your musical vision into a reality and elevate the storytelling in every way imaginable.

02

Sync Licensing & Music Clearances

As a full-service music licensing company and sync licensing company, Fusion Music Supervision handles every aspect of music rights clearance for film, television, advertising, and trailers. Every song requires two separate licenses — a synchronization license from the music publisher controlling the composition, and a master license from the record label or artist owning the recording. Chris negotiates both, leveraging more than two decades of industry relationships to secure the best possible rates and terms. Our music licensing services cover multi-territory rights management, all-media clearances, festival licenses, streaming rights, and theatrical distribution — every sync deal handled with precision. Music clearance and pre-clearance are managed proactively — anticipating potential issues before they become production problems, and always having alternatives ready when a clearance falls through. Every project delivered on time, on budget, and fully protected.

03

Production Support

As a music supervision company with deep roots in both film production and TV production, Fusion Music Supervision begins well before the cameras roll. Film music consultation starts at the earliest creative stage — the decisions made in pre-production, from the tone of the temp score to the music used on set, shape the entire sonic direction of a project. Chris is involved from the earliest creative conversations as your music supervisor for film and TV production, working alongside directors, showrunners, and producers to establish the musical language of the project before a single frame is shot. On set, this means coordinating playback music for performance scenes, supervising live music moments, and ensuring everything is cleared and documented correctly. In the scoring stage, Chris works closely with the composer to ensure that original score and licensed music work together seamlessly — creating a unified, cohesive musical identity that serves the story from beginning to end.

04

Post Production & Delivery

Music supervision post production is where the work becomes most technical — and where the stakes are highest. Every piece of music used in a project must be documented, licensed, and delivered to exact specifications before a single frame can air, stream, or screen. As a music licensing post production specialist, Chris manages the full pipeline for film and television — from music editorial supervision and final mix oversight to film cue sheets and TV cue sheets preparation and delivery. Every sync license and master license is confirmed, every cue is logged, and every delivery requirement for networks, streamers, and theatrical distributors is met. Music licensing compliance is handled proactively, so nothing holds up your release. Every placement documented, every license confirmed, every delivery as required — on time, every time.

05

Advertising, Trailers & Branded Content

As a music supervisor for advertising, trailers, and branded content, Chris brings a specialized discipline that demands everything film and TV supervision requires — compressed into 15, 30, or 60 seconds. Trailer music supervision and music licensing for commercials are among the most time-sensitive and high-stakes work in the industry. The music has to work immediately, emotionally, and memorably — there is no time to ease an audience in. Chris brings the same depth of creative search, the same precision in sync licensing for commercials, and the same expertise in music clearance to every advertising campaign, theatrical trailer, and branded content project. Whether it's finding the perfect needle drop for a global campaign, negotiating a complex sync deal for a tent-pole trailer, or clearing music under a tight deadline, Fusion delivers — creatively and logistically. Fast-turnaround music clearance for time-sensitive campaigns, handled with the same care as a prestige feature film.

06

Deep Industry Network & Relationships

As an independent music supervisor based between Los Angeles, Maui, and Nashville, Chris has built one of the most extensive industry networks in music supervision. Music supervision in Los Angeles, music supervision in Nashville, and beyond — after more than two decades of active work across 900+ television episodes, 50+ feature films, advertising campaigns, and major film trailers, Chris has deep, trusted relationships with virtually every major and independent label, music publisher, management company, and artist representative in the industry. These relationships weren't built in boardrooms — they were forged through countless concerts and festivals, infinite lunches and dinners, late nights in recording studios, and more than two decades of being a genuine, active presence in the music community. Many of these people aren't just industry contacts — they are true friends who share the same deep passion for music that drives everything Chris does. That's what makes the difference. Faster responses, case by case rates on sync licensing and music clearance, the ability to secure unreleased recordings, and the ability to reach artists directly when a sync deal needs to happen quickly. When a clearance is difficult, Chris knows who to call. When a budget is tight, Chris knows how to negotiate. And when a project calls for something truly special — music that no one else could secure — those friendships make it possible.